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In my eyes, he was a modern- day Marco Polo, laden with treats and tales from distant lands. But in 1. 98. 0, his journeys took him to a less colorful place: the shadowy landscape east of the Berlin Wall. After driving straight to Dresden to avoid police interrogation, he met his host, the former owner of one of Germany’s largest horticultural enterprises, at the Central Museum. Longtime employees stood on the lookout for trouble as my dad’s colleague described the oppression of the regime, which had taken over his hundred- year- old business and kept him on as manager. A radio under the floorboards provided the only external communication.

Everyone lived in fear of the secret police. Even nice clothing wasn’t readily available or affordable, much less garden plants. It was terrible.”It was into this world that Claudia West would soon be born. A young girl when the wall fell, West remembers the devastating effects of uranium and soft coal industries in her East German homeland. Entire villages had been dug up for mining to keep the economy afloat, leaving giant craters and air so ashen and chemical- laden that West and her family couldn’t even hang their laundry outside.

Those early impressions of an abused earth devoid of vegetation and a sky thick with pollution made witnessing the subsequent transformation of the land even more awe- inspiring. Gundam Streaming Sub Ita on this page. After less than three decades of restoration efforts, clear lakes now fill the craters, whole forests have sprung from tree plantings, and even European wolves have staged a comeback.

But instead of the vast prairies of wildflowers she’d envisioned, she arrived to find acre upon acre of land mowed down and mulched over. And that’s not only an aesthetic disaster and a disaster for quality of life, but it’s also a disaster for ecological reasons. Thor 1 Streaming Hd. All these animals have developed intricate relationships with these plants for thousands of years, and we took the foundation right out from under their feet.”West’s desire to heal that scarred landscape inspires her work as the ecological sales manager at North Creek Nurseries in Pennsylvania. It was also the impetus behind her involvement with the book Planting in a Post- Wild World: Designing plant communities for resilient landscapes, which she coauthored with landscape architect Thomas Rainer in 2.

In this interview, she articulates the urgent need for ecological design—and provides take- home tips for every gardener interested in restoring habitat to damaged earth. Q: You must have been six or seven when the wall fell? Claudia West. That’s exactly right. I was a child, but as a child you see things sometimes even more clearly than adults, who get so used to the environment that after a while you stop questioning it. But I do remember very clearly the heavy industries, to the point where air pollution was really crazy—really thick and unhealthy for people. And the immense scars this industry left on the landscape.

It took a really long time to clean up these landscapes, but not as long as anybody ever suspected. Going back now is like going back into a different world. Heartland Saison 10 Streaming En Francais here. It took us all by surprise that a landscape that had been so abused can now be the home of such incredible biodiversity and be used by a whole new tourism industry as really the gem of Central Europe. Q: That’s amazing. So it was a combination of human intervention and nature coming back on its own? Exactly, yes. So there was a lot of funds coming in—I think from the European Union—to clean these areas up, and a lot of people coming together. It was all planned restoration efforts, with millions of trees being planted and meadows being seeded and fish being released back into the waters.

So certainly it was a man- guided restoration, and the results are just incredible. I had no idea that nature can come back with such a vengeance. Now a generation that saw that pollution goes for a walk around the lakes that used to be craters in the landscapes. It’s so powerful how these people can now all the sudden enjoy their home.

It was not possible for them for so many decades. Q: Your parents were in the landscaping industry? My family—since it was eastern Germany—was not allowed to have a business because of the Communist structure, the regime. After the wall came down, the world opened up for us, and we started a nursery. We really started very small with a few tables at the local market and buying plants from the Netherlands and reselling them.

And then they quickly grew into several . The landscape design build was something my father spearheaded. Many of the plant species that we wanted to use weren’t available yet in the local nursery trade. We started to grow a lot of the things we needed in our designs in the nursery, and that’s how the nursery business started . Not just for ecology but for us, for people. We are so jealous of the vegetation that the United States has, the incredible diversity and just the beauty of these plants. Q: Did you see American natives while growing up in Europe?

Is that where you first got interested? We did—that’s the fascinating thing, where I was just completely confused when I first came here that so few of these plants are here in cultivation. Because we adore them.

We are so jealous of the vegetation that the United States has, the incredible diversity and just the beauty of these plants. Thanks to folks like Karl Foerster or some of the early nursery visionaries, these plants became available for the European market. Many of the European plants have a cool season, simply based on our climate, and they heavily flower between spring and midsummer.

Our gardens look more or less green, and there’s not as much of a second flowering highlight as there is here in the United States. So American native plants really fill an aesthetic need in Europe, basically create a second show before winter comes. That’s exactly how they’re being used. And that’s why they’re so incredibly popular, because they bloom until frost, and they’re just spectacular in color and structure and in attracting European insects as well—generalist insects. Q: You’ve described feeling shocked when you arrived here and found a “chronically undervegetated” and overmulched landscape. When did you first realize that?

When you stepped off the plane? Or was it a gradual process? Opportunities taken: A rest stop in Minnesota is lush with wild lupines, a species well adapted to the sandy soil. Watch The Andromeda Strain Online Free. A matrix of plants growing at different heights and with varying root systems would filter stormwater and provide seed and other delicacies for birds, frogs, and many other animals. It’s just really a tragedy on such a large scale—the loss of life quality—and what opened my eyes was seeing these opportunities not being taken. And now these opportunities, they have to be taken if we want our landscapes to be continuously the foundation of a healthy ecosystem.

Future nature doesn’t live out there anymore, because out there is gone. Future nature lives here in our backyards, in our developments and parking lots or rooftop gardens—or it doesn’t live. That’s the reality. Future nature doesn’t live out there anymore, because out there is gone. Future nature lives here in our backyards, in our developments and parking lots or rooftop gardens—or it doesn’t live. That’s the reality. I know that gardens do not replace restoration and conservation of wild lands, and a designed system will probably never have the same quality that a wild or somewhat semi- pristine landscape has in some of the few nature reserves we will still have left that function.

But at least a designed garden or landscape can balance some of it. And it may never be as good, but it still can add up and make a difference.

Q: Is there a native plant movement in Germany like there is here? It’s not really the same, and I think a lot of it has to do with our history. Hitler was very much focused on only allowing European native plants. And there was a very strong push to beautifying the European or German landscape with real German plants. Watch Penn And Teller Fool Us Season 3 Episode 2 here. A lot of very cautious voices come up as soon as anybody goes in that direction. But I can see why there’s a hesitation in Germany. Well, of course, there’s an understanding that the European native plants are the foundation of our ecology, but it’s not communicated in the same way as it is here.

It’s something that lives more in the world of ecology. There’s a very strong push there to collect seeds off European native plants and protect them because many of them are endangered because it’s such a highly dense, highly populated, cultivated landscape over there. So there’s definitely a push to restoration, conservation, and bringing native plants back. But it’s a very different context, I should say—a cautious context.

There are garden designers who base their work on working with native plants from Europe, but the aesthetics often limit how far they can go with these plantings. That kind of focus on native plants and ecology often brings with it a very naturalistic planting and style, and that’s just something that here in the United States and in Europe, not everybody feels comfortable with. I think we’re struggling with the same problems, and that’s one of the reasons why Thomas and I wrote the book—to help folks who want to create more ecological plantings and make that more mainstream and acceptable—and to help them make better design decisions so that we can meet in the middle. We kind of wanted to deflate that “native” debate just a little bit. Q: I thought you handled it really subtly. We wanted to show a message that yes, a native plant palette .